The O2R96 is an undeniable standard in audio
production, providing advanced capabilities for audio production,
broadcast, and live applications. It makes the most advanced technology
for commercial sound and music production available to a broad range of
engineers and facilities, including standards such as 96kHz audio,
internal 32-bit processing, surround monitoring, studio manager
software, and powerful DAW control. This update, which adds over 50
features and significant overall performance upgrades, has been released
as a response to the requests of its loyal users.
It includes full 96kHz resolution across all 56 channels, powerful
control of all features through the studio manager software, visual
feedback for all changes and controls through the LCD screen,
customizable I/O, customizable assignment controls, and powerful global
controls. A single channel offers a fader, rotary encoder, a channel
ON/OFF key, a SOLO key, an AUTO key to turn mix automation on or off for
that channel, and a SEL key which assigns the channel as the console's
Selected Channel. Detailed control for the currently selected channel
dynamics, EQ, buss assignment, panning, and surround positioning is
available via the SELECTED CHANNEL controls. Also the channel faders and
encoders will function according to the settings in the FADER MODE and
ENCODER MODE sections.
General New Features
Add-On Effect Capability
Automix Static Insert Edit for clip based automation
Additional Settings on User Defined Keys, Encoder Mode
Additional Parameters on GPI and Recall Safe
Advanced DAW Integration
Nuendo and Cubase SX control by selected Channel Module
Surround pan control on Pro Tools Remote
MMC transport control on DAW Remote Layer
Advanced Surround Functions
6.1 Panning & Monitoring
Flexible Surround Bus Setup
Snap to SPL85
Additional Base Management Parameters
Surround Pan On / Off (by using Follow Pan switch)
Summed Monitoring of Surround Monitor Source
(BUS+ASSIGN1, BUS+ASSIGN2)
Broadcast Applications
Mix Minus
Operation Lock with password
Pre Fader SOLO with PAN
Fader / Solo Release
Independent L/R Oscillator (1kHz/400Hz)
Live SR/Theater Applications
User Assignable Layer
Fader Group Master
Mute Group Master
Alternative Layer control by Encoders
Instant group assignment with User Defined Keys
AUX Pre Fader Pre ON (AUX Pre Point)
Instant AUX monitoring (AUX/SOLO LINK)
Global Paste to multiple scenes
Global Fade Time
Global Recall Safe
Gain Reduction Meter
e ON (AUX Pre Point)
Instant AUX monitoring (AUX/SOLO LINK)
Global Paste to multiple scenes
Global Fade Time
Global Recall Safe
Gain Reduction Meter
Prepare to be amazed at how far Yamaha digital
evolution has come. Now the 01V96 has been upgraded to Version 2, which
features a number of improvements and enhancements in both functions and
operation.
Digital audio technology has come a long way since the early days of 16
bits at 44.1 kHz — a format that many considered to be the reason for
"harsh", "cold" sound. The entire industry is now
settling on 24-bit/96-kHz digital operation for significantly superior
sonic quality. The 01V96 mixer does give you a choice — you can work
at 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz, depending on the needs of each
individual project. But when you want the truly transparent, incredibly
dynamic sound of 24-bits at 96 -kHz, the 01V96 is ready to deliver. It
even includes a comprehensive range of superb 96-kHz compatible stereo
effects with 32-bit internal processing.
Right out of the box the 01V96 gives you 16 analog channel inputs — 12
with high-performance microphone head amplifiers — and eight digital
channel inputs via a built-in ADAT optical interface. Without going any
further you're ready to handle a comprehensive mix of analog and digital
inputs.
All the 01V96 input connectors are top-mounted for easy access in any
application. The first 12 analog channels feature high-performance head
amplifiers for microphone or line input that deliver a pristine signal
to the mixing console's precision 24-bit/96-kHz A/D converters. The
48-volt phantom power for condenser microphones is switchable in
4-channel groups, while trim controls and pad switches facilitate
optimum level matching with the source, and channel inserts make it easy
to insert external analog processing gear into the pre-A/D signal path.
Inputs 13 through 16 accept balanced/unbalanced line-level signals
singly (each input has an independent trim control) or in pairs for
stereo input. When you need more, Yamaha offers a range of Mini-YGDAI
expansion cards that can simply be plugged into the 01V96 expansion slot
to provide additional I/O in a variety of formats: ADAT, AES/EBU, TDIF
or analog.
The 01V96 offers a main stereo program bus, eight individual mixing
buses, two solo buses, and eight auxiliary buses — a total of 20 in
all. This gives you plenty of signal-routing options to adapt to just
about any mixing requirements.
Surround is becoming an important part of modern sound production. The
01V96 audio mixer features 6.1, 5.1 and 3-1 surround panning modes so
you can create surround mixes without having to sacrifice features or
performance in other areas.
The 16 channel strips on the 01V96 panel provide access to the most
essential operations for the corresponding channels. Depending on the
currently selected layer, the channel strips will control channels 1
through 16, channels 17 through 32, or the eight AUX sends and eight
buses (the "Master Layer"). Also, the channel faders will
function according to the settings i
Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP
Effects
The Yamaha MG32/14FX 32-Input 14 Bus Mixer with DSP
Effects represents a completely no-compromise approach to PA. It's built
for great sound, total control, and superior reliability and goes
through the same rigorous quality and reliability tests as Yamaha's
world-class PM-series mixing consoles. By taking full advantage of the
latest technology and manufacturing techniques, Yamaha has been able to
pack this superlative mixer with more value than you'll find anywhere
else. In short, the MG32/14FX offers extraordinary performance and
mixing power at remarkable prices.
If your application is live sound reinforcement, you'll want all the
channel capacity you can get-just in case. Vocal mics, instrument mics,
stereo keyboards, direct-injection feeds, drum mics, and the rest can
add up very quickly. With 32 input channels, the MG32/14FX is ready to
handle all but the most ambitious setups. And with dual SPX digital
effect systems onboard, you won't need racks of outboard gear to get the
sound you need. There's also a range of group and auxiliary busses to
make even complex mixes easy.
32 input channels
The MG32/14FX has 24 mono microphone/line channels, with 4 stereo line
channels.
Mic preamps with phantom power
All 24 mic preamps in the MG32/14FX are of exemplary quality. They offer
low-noise, transparent amplification with the widest possible range of
dynamic and condenser microphones, which adds up to cleaner,
better-sounding mixes. All mic preamps feature switchable phantom power
for studio condenser microphones. Phantom power is switchable in
8-channel groups.
Illuminated switches
Illuminated On (channel), PFL (pre-fader listen), and phantom power
switches let you confirm critical console settings at a glance.
14 buses for flexible signal routing
With a total of 14 mix buses (main stereo program bus, four stereo group
bus pairs, six auxiliary busses, and two internal effect busses), you
get lots of input channels for the high demands of live sound
reinforcement, plus room for group submixes or aux sends for external
signal processing and monitor mixes.
Channel EQ
The 3-band EQ with sweepable mids provided on all input channels is
designed for exceptionally smooth, intuitive response that can help you
create cleaner, tighter mixes. All mono channels also feature a
switchable high-pass filter that can cut out unwanted low-frequency
noise.
SPX digital effects
Two high-performance digital signal processing stages are fed by
separate effect buses and enhance the mix with two separate effects
simultaneously. Each stage provides a selection of 16 pro-quality
effects, including reverb, delay, pitch change, chorus, phasing, vocal
doubling, distortion, and more. Parameter controls can be adjusted to
tailor the effects to your sonic requirement. Tap delay makes it eas
Yamaha EMX5016CF 16-Input Powered Mixer with Dual
500 Watt Power Amps
The EMX5016CF delivers the convenience of an
integrated powered mixer with input capacity, flexible features, and
solid sound that critical live applications demand. It is remarkably
compact and portable for a live sound system with this much capability.
And thanks to leading Yamaha digital technology, the EMX5016CF also
includes a number of innovations that make it easier than ever to
achieve top-class sound in just about any venue. An impressive power
output of 500 watts per channel means it can handle fairly large
audiences, indoors or out.
Versatile 16-input configuration adapts to varied source
requirements
The EMX5016CF has a total of 16 input channels eight for monaural
microphone or line input plus four stereo pairs. The stereo channel
pairs can function either as monaural microphone inputs or stereo line
inputs. This system gives you extra microphone inputs if your sources
are mostly microphones, or if you need to handle more stereo sources,
the EMX5016CF will comfortably handle four pairs in addition to eight
mono mic or line inputs.
Advanced channel EQ
3-band EQ is available on all input channels, but extra versatility is
provided on the eight mono channels with mid-frequency sweep controls.
The mid EQ center frequency can be continuously swept from 250 Hz
through 5 kHz so you can precisely pinpoint frequencies in the critical
midrange.
Ample I/O for expansion and integration
All you need to create a powerful, high-performance live sound system is
the EMX5016CF, a pair of speakers or two, and your sources. But it does
feature a range of inputs and outputs that allow it to be expanded with
external gear or integrated into larger systems. Insert patch points on
the mono input channels, for example, let you add outboard signal
processing to individual input channels. And although you have all the
monitor power and effects you're likely to need built in, external aux
and effect sends allow you to route the mixer's signals to external
signal processing and/or monitor systems as required. Stereo out, stereo
sub-out, and record outputs are also provided.
One-knob compression on the first 8 channels
The EMX5016CF features compressors on all monaural microphone/line
channels that can help to make vocals ride the mix better, give you that
smooth compressed guitar sound, deliver more punchy bass, and generally
refine your mixes in a multitude of ways. These unique one-knob
compressors are surprisingly simple to use. There are no multiple
attack, threshold, makeup gain, and other controls just set the COMP
control to the amount of compression you need.
9-band digital graphic EQ with presets & memory
This advanced digital 9-band stereo graphic equalizer goes way beyond
conventional analog types with a refined control interface,
instant-recall presets, and user memory locations. It also works with
the console's
Yamaha MG24/14FX 24-Input 14 Bus Mixer with DSP
Effects
Stellar onboard effects enhance the high-performance
Yamaha MG24/14FX 24-Input 14 Bus Mixer with DSP Effects. The 16 mic/line
channels and four stereo line channels give you plenty of inputs. With
16 first-quality mic preamps for low-noise, transparent amplification.
Switchable either singly or in groups of eight. All channels have 3-band
EQ with sweepable midband for precision mixing. All mono channels have
insert I/O for outboard signal processing and switchable high-pass
filter for cutting out unwanted low frequencies. Talkback capability is
provided for communication with stage.
XLR balanced stereo and mono outputs. Mono outputs can be used for
driving subwoofers and include a sweepable low-pass filter.
14 buses offer convenient routing options. These include the main
program bus; four stereo channel bus pairs for grouping channels, six
aux buses (four pre or post, two effects sends), and two internal effect
buses for the dual effects processors.
Dual SPX digital effect processors are on separate buses, so two
separate effects can be engaged at the same time. The 16 pro-quality SPX
digital effects include reverb, delay, pitch change, chorus, phasing,
vocal doubling, tap delay, and more. Parameters can be adjusted to
customize effects.
The EMX5014C Powered Mixer is the perfect band and
club system. It features selectable power: 500W, 200W, or 75W per
channel. It has 10 channels, 14 inputs, and a host of features that add
up to advanced mixing capability. Exclusive single-knob compressors on
mono channels one thru six allow you to tame unruly vocals or tighten
the bass. PFL switches allow you to monitor individual channels, and
each channel has an on/off switch so you can instantly move channels in
or out of the mix. The Yamaha FCL (Feedback Channel Locating) system
makes locating and eliminating feedback easier than ever. 80Hz high-pass
filters eliminate low-end rumble. Yamaha Speaker Processing (YSP)
provides optimized matching with speakers, for clean, solid reproduction
that will deliver your music with maximum impact. A 9-band graphic is
assignable, and power can be configured as main + main, main + aux 1, or
aux 1 + aux 2. Signal and peak indicators make monitoring easy, and
another LED signals power amp overload and limiter activation. Onboard
digital multi-effects with 16 programs. The EMX5014 has it all, plus
Yamaha sound quality.
The Yamaha MG206C-USB Mixing Console is a lightweight
and compact mixer that will deliver serious performance at the studio,
club, hall, or anywhere. The MG206C-USB mixer offers substantial signal
routing versatility that will give you the capacity, control, and
performance you deserve. Yamaha USB Mixers come bundled with Steinberg
Cubase A/4 Digital Audio Workstation software for easy live recording.
Cubase A/4
Cubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio
workstation for use with Yamaha MG "USB" mixers, providing a
powerful set of advanced software tools that are easy to use while
significantly expanding the mixers' recording and production
capabilities. Cubase AI4 offers direct digital connectivity to the
stereo buses of MG "USB" models for audio recording and
editing. It also features a range of MIDI sequencing capabilities, an
entire suite of VST effect plug-ins, and a HALion One sample player
featuring selected waves from the famed Yamaha Motif synthesizers.
Versatile Connectivity and Pro-class Connectors
Top-mounted input and output connectors make setting up and re-patching
your system quick and easy. All models feature high-quality Neutrik
balanced XLR connectors on mono microphone/line channels and XLR-equipped
stereo channels. These professional-class connectors were subjected to
extensive testing by the Yamaha design team, and were chosen for the MG
mixers for their superior reliability and sonic qualities. The XLR-equipped
stereo channels can accept mono microphone input either via the XLR or
phone jack connectors. The remaining stereo channels provide phone jack
and pin jack connectors for compatibility with a wide range of sources.
Mono input channels also feature insert I/O connectors that let you
patch external signal processing gear into those channels as required.
Separate pinjack 2TR inputs are provided to accept the output from a CD
player or similar stereo source.
Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great
vocal sound, as well as to refine the sound of bass, guitar, and other
sources. You won't find built-in channel compression on too many other
mixers in this class, but in the MG mixers you have Yamaha's innovative
one-knob compression feature on several of the mono input channels.
Conventional audio compressors with their threshold, ratio, knee, makeup
gain and other controls can be complex and time consuming to set
appropriately for a given source. Yamaha's one-knob compressor
eliminates the need for an engineering degree with a single control that
lets you simply dial in the amount of compression you want.
High-performance Microphone Preamplifiers with Switchable
Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance
bottleneck in many. That's why pros often spend thousands of dollars on
just
The Yamaha MG206C Mixing Console is a lightweight and
compact mixer that will deliver serious performance at the studio, club,
hall, or anywhere. The MG206C mixer offers substantial signal routing
versatility that will give you the capacity, control, and performance
you deserve.
Versatile Connectivity and Pro-class Connectors
Top-mounted input and output connectors make setting up and re-patching
your system quick and easy. All models feature high-quality Neutrik
balanced XLR connectors on mono microphone/line channels and XLR-equipped
stereo channels. These professional-class connectors were subjected to
extensive testing by the Yamaha design team, and were chosen for the MG
mixers for their superior reliability and sonic qualities. The XLR-equipped
stereo channels can accept mono microphone input either via the XLR or
phone jack connectors. The remaining stereo channels provide phone jack
and pin jack connectors for compatibility with a wide range of sources.
Mono input channels also feature insert I/O connectors that let you
patch external signal processing gear into those channels as required.
Separate pinjack 2TR inputs are provided to accept the output from a CD
player or similar stereo source.
Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great
vocal sound, as well as to refine the sound of bass, guitar, and other
sources. You won't find built-in channel compression on too many other
mixers in this class, but in the MG audio mixers you have Yamaha's
innovative one-knob compression feature on several of the mono input
channels. Conventional audio compressors with their threshold, ratio,
knee, makeup gain and other controls can be complex and time consuming
to set appropriately for a given source. Yamaha's one-knob compressor
eliminates the need for an engineering degree with a single control that
lets you simply dial in the amount of compression you want.
High-performance Microphone Preamplifiers with Switchable
Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance
bottleneck in many. That's why pros often spend thousands of dollars on
just a single channel of microphone pre-amplification. The microphone
preamps built into the MG mixers inherit technology from Yamaha's
top-line professional consoles, and have been painstakingly designed to
deliver superior sonic performance with any dynamic or condenser
microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones
(-34dB ~ +10dB for line input), so you'll be able to achieve optimum
level matching with just about any source. All microphone preamps also
feature switchable phantom power so you can take advantage of the
natural, extended response of high-quality condenser microphones.
3-band Channel EQ and High-pass Filters
Building a truly useful, musical-sounding channel equalizer is no
The durable, lightweight Yamaha EMX512SC 8-Channel
Powered Mixer has dual 500W amps, 16 Yamaha SPX effects, built-in
graphic EQs, and loads of input options.
Flexible power
The power mode switch lets you use the dual power channels as a stereo
amplifier, or use one channel for the main speakers and one for the
monitors, with separate monitor mix setup via the channel MONITOR
controls.
SPX digital effects
16 Yamaha SPX effects-including reverb, echo, chorus, flanger, phaser,
and even distortion-let you add the finishing touches to your live
presentation.
Graphic EQs
Graphic equalizers are provided for both the main and monitor power
channels so you can effectively control feedback or tailor the sound to
match the room and program material.
Input options
The EMX512SC offers a total of 12 input channels-4 for monaural
microphone (with phantom power) or line input, plus 4 pairs that can
function either as monaural mic inputs or stereo line inputs-providing a
versatile mix of input capabilities for a wide range of applications. If
only mic inputs are needed, you can use up to 8 mic channels. If you
want to play recorded background music during breaks using a stereo
input, and have a keyboard player with stereo outputs, you still have 6
mic/line inputs available. If all 4 stereo pairs are used to handle
stereo line sources, you still have 4 channels available for mono mic or
line input. It's a versatile system that can adapt to your needs with
ease!
Yamaha Speaker Processing
Yamaha Speaker Processing (YSP) provides optimized matching with
speakers, for clean, solid reproduction that will deliver your music
with maximum impact.
FCL (Feedback Channel Locator) system
The Yamaha FCL (Feedback Channel Locating) system makes locating and
eliminating feedback easier than ever. FCL indicators provided on each
input channel indicate which channel feedback is occurring in, so you
can identify it visually and adjust levels or EQ as required. Another
handy features is a Standby switch that mutes channels 1 through 8 so
that, for example, after rehearsal or between sets you can mute
performer's inputs 1 through 8 without having to change fader settings,
while stereo inputs 9 through 12 remain active for background music
playback.
Durable, lightweight design
At only 22 pounds and equipped with conveniently located handles, the
EMX512S is easy to transport. It's built to withstand the rigors of the
road and deliver reliable performance, night after night.
Yamaha MG166CX-USB 16-Channel USB Mixer With
Compression and Effects
Whether you have a mixing application that involves
only a few channels, or up to 32 inputs with substantial signal routing
versatility, Yamaha's MG series offers a mixing console that will give
you the capacity, control, and performance you deserve. All models are
remarkably compact and lightweight for superior handling and
portability, but absolutely no compromises have been made in terms of
features, performance, or durability. The MG mixers offer an
extraordinary blend of technology: some inherited from professional
Yamaha mixing consoles you're likely to see in distinguished halls
throughout the world, and some developed specifically to deliver optimum
performance in the MG-console format. In either case these
performance-packed Yamaha mixers are founded on a world-spanning network
of human and technological resources that crystallize to deliver
features that really matter, and sound that is undeniably superior.
The durable, lightweight Yamaha EMX312SC 8-Channel
Powered Mixer has dual 300W amps, 16 Yamaha SPX effects, built-in
graphic EQs, and loads of input options.
Flexible power
The power mode switch lets you use the dual power channels as a stereo
amplifier or use one channel for the main speakers and one for the
monitors, with separate monitor mix setup via the channel Monitor
controls.
SPX digital effects
16 Yamaha SPX effects-including reverb, echo, chorus, flanger, phaser,
and even distortion-let you add the finishing touches to your live
presentation.
Graphic EQs
Graphic equalizers are provided for both the main and monitor power
channels so you can effectively control feedback or tailor the sound to
match the room and program material.
Input options
The EMX312SC offers a total of 12 input channels-4 for monaural
microphone (with phantom power) or line input, plus 4 pairs that can
function either as monaural mic inputs or stereo line inputs-providing a
versatile mix of input capabilities for a wide range of applications. If
only mic inputs are needed, you can use up to 8 mic channels. If you
want to play recorded background music during breaks using a stereo
input and have a keyboard player with stereo outputs, you still have 6
mic/line inputs available. If all 4 stereo pairs are used to handle
stereo line sources, you still have 4 channels available for mono mic or
line input. It's a versatile system that can adapt to your needs with
ease!
FCL (Feedback Channel Locator) system
The Yamaha FCL (Feedback Channel Locating) system makes locating and
eliminating feedback easier than ever. FCL indicators provided on each
input channel indicate which channel feedback is occurring in, so you
can identify it visually and adjust levels or EQ as required. Another
handy features is a Standby switch that mutes channels 1 through 8 so
that, for example, after rehearsal or between sets you can mute
performer's inputs 1 through 8 without having to change fader settings,
while stereo inputs 9 through 12 remain active for background music
playback.
Yamaha Speaker Processing
Yamaha Speaker Processing (YSP) provides optimized matching with
speakers, for clean, solid reproduction that will deliver your music
with maximum impact.
Durable, lightweight design
At only 22 pounds and equipped with conveniently located handles, the
EMX312S is easy to transport. It's built to withstand the rigors of the
road and deliver reliable performance, night after night.
Yamaha MG166CUSB 16 Channel USB Mixer With
Compression
Whether you have a mixing application that involves
only a few channels, or up to 32 inputs with substantial signal routing
versatility, Yamaha's MG series offers a console that will give you the
capacity, control, and performance you deserve. All models are
remarkably compact and lightweight for superior handling and
portability, but absolutely no compromises have been made in terms of
features, performance, or durability. The MG audio mixers offer an
extraordinary blend of technology: some inherited from professional
Yamaha mixing consoles you're likely to see in distinguished halls
throughout the world, and some developed specifically to deliver optimum
performance in the MG-console format. In either case these
performance-packed Yamaha mixers are founded on a world-spanning network
of human and technological resources that crystallize to deliver
features that really matter, and sound that is undeniably superior.
Yamaha MG8/2FX 8-Input Stereo Mixer with DSP
Effects
The Yamaha MG8/2FX 8-Input Stereo Mixer with DSP
Effects has 8 input channels: 2 mono microphone/line inputs and 3 stereo
line inputs, 2 of which offer mono microphone input capability. 4
low-noise, high-precision mic preamps feature switchable phantom power.
Mono input channels have insert patch points. 3-band channel EQ and
high-pass filters are designed for smooth, musical response. Mono
channels also feature switchable high-pass filters. 2 aux sends and
stereo aux return. DSP provides a range of reverbs, delay, chorus,
flanger, phaser, distortion, and other effects a total of 16 types with
editable parameters. Optional mic
rackmount is available.
The MG102C Stereo Mixer from Yamaha offers sonic
quality that will satisfy the most critical listener, surprising
flexibility and ease-of-use, and some advanced features you normally
wouldn't find in this type of compact mixer.
Inputs & Channels
Flexible 10-Input Channel Configurations
The MG102C has a total of 10 input channels comprised of two mono
microphone/line channels and four stereo line channels. The stereo
channel can be used as mono microphone inputs, providing a total of four
microphone inputs when necessary. Gain trim covers a wide -60dB - -16dB
range for microphone input, and -34dB - +10dB for line input.
Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching
your system quick and easy. It features high-quality Neutrik balanced
XLR connectors on both mono microphone/line channels and two of the
stereo channels. The XLR-equipped stereo channels can accept mono
microphone input either via the XLR or phone jack connectors. The
remaining two stereo channels on the Yamaha MG102C provide phone jack
and pin jack connectors for compatibility with a wide range of sources.
The two mono input channels also feature insert I/O connectors that let
you patch external signal processing gear into those channels as
required. Separate pin-jack 2TR inputs are provided to accept the output
from a CD player or similar stereo source.
Four High-Performance Microphone Preamplifiers with Switchable
Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance
bottleneck in many. That's why pros often spend thousands of dollars on
just a single channel of microphone pre-amplification. The microphone
preamps built into the MG mixers inherit technology from Yamaha's
top-line professional consoles, and have been painstakingly designed to
deliver superior sonic performance with any dynamic or condenser
microphone. All four microphone preamps also feature switchable phantom
power so you can take advantage of the natural, extended response of
high quality condenser microphones. A single switch turns phantom power
on or off for all four channels.
Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great
vocal sound. It can also be used to refine the sound of bass, guitar,
and other sources. You won't find built-in channel compression on too
many other mixers in this class, but in the MG102C mixer you have
Yamaha's innovative one-knob compression feature on mono input channels
1 and 2. Conventional audio compressors with their threshold, ratio,
knee, makeup gain and other controls can be complex and time-consuming
to set appropriately for a given source. Yamaha's one-knob compressor
eliminates the need for an engineering degree with a single control that
lets you simply dial in the amount of compression you want
Yamaha Signature Series Laptop-Small Mixer Roller
Gig Bag
Yamaha developed this roller gig bag for musicians who
travel frequently and who want to protect their 01X. This Signature
Series bag is designed to carry and protect the Yamaha 01X mLAN Digital
Mixing Studio, your laptop and other peripherals.
The rolling gig bag is constructed with a durable 600 denier exterior
nylon shell, brushed lining, and extra-thick padding. It also has
relief-embroidered logos, self-repairing nylon zippers, separate
interior compartment for a laptop, extra-large accessory pockets, rugged
wheels, and a retractable handle.
